SCA Field Only Armoury Project, Part Seventeen

Part the Seventeenth. The end is nigh!

It would have been upon us slightly faster if I was more organized about generating the batch images and writing posts, but real life, work, and sleep have a bad habit of cutting into hobby time, you know?

Anyway. Heraldry, field only variety. Today is all quarterly and variations on that theme.

Given the number of us in the SCA who play Norse (yes, me too…) I’m really surprised not to see more “quarterly arrondi” devices like Sven Forlorad’s “Quarterly arrondi sable and Or” in the top left corner there. It’s a stereotypically Norse design, would look great on a round shield, and his device is the single solitary field-only example of the type somehow.

Edmund Godric Scrymgeour’s “Quarterly azure and argent all mailly counterchanged” next to it was the device that finally forced me to sit down and draw an acceptable maily design in Inkscape, after at least five previous attempts all looked too crowded at any sort of distance.

In the “small neat details” category, I like the little square twist right at the centre of Anne Tanzer’s 1973 “Quarterly dancetty of five per fess and six per pale azure and Or” where the two dancetty lines intersect. (leftmost in the middle row)

One last one in a day or so, then there’s going to be a bit of a pause over Christmas/New Years while I fix errors, change the layout around, and get ready to do a few different and hopefully interesting things with this big block of armoury I’ve created over the last few months!

SCA Field Only Armoury Project, Part Sixteen

Part the Sixteenth! Just two more after this and the entire (first draft!) run of this lunatic project is finally finished…

We’re getting well toward the end of the alphabet now (we’re sorted alphabetically by blazon for this project, remember) with the last of the per saltire devices, a brief excursion into pily bendy, and ending with another reappearance of scaly.

Part Sixteen. As usual click for larger and see text for details.

Lots of good stuff in this batch, too. Being a fan of the heraldic furs Katharine Devereaux’s top left device, “Per saltire erminois and pean” is a personal favourite, but I also like the entire run of “pily bendy/pily bendy sinister” devices.

Just sixteen more devices to show you before this first draft pass is complete!

SCA Field Only Armoury Project, Part Fifteen

Part Fifteen! The end of this long march is in sight, as there will indeed be eighteen parts!

Part Fifteen! Click for larger, see text for details.

So what’s in today’s installment? Per pall and per saltire is where we’re at, with (somewhat surprisingly for this project) only a single device using stacked field divisions, Josse Gößler’s hazard striped “Per pall inverted sable, argent, and chevronelly gules and argent” up in the middle of the top row.

This batch also includes the seniormost herald in my home kingdom of An Tir, Oddr Þiálfason, current Black Lion Principal Herald of the An Tir College of Heralds. That’s his “Per saltire arrondi vert and Or” in the lower left corner, with one of several blanket permission to conflict (PtC)’s in this batch that help keep the very Norse-looking per saltire arrondi design space slightly more open for other Norse-influenced SCA participants.

Which reminds me, must draft up the PtC to go along with my own device submission, which I’ll be sending along to Oddr and his staff sometime over the Christmas holidays!

SCA Field Only Armoury Project, Part Fourteen

Part Fourteen and we’re definitely into the home stretch!

“Per pale” comes to an end and is replaced by “Per pall” today. Being a heraldic fur fan I’ve got to call out Marie de Blois’s “Per pale pean and erminois” top left as a favourite in this batch, although Erin Hendersonne’s “Per pale ranyonny sable and Or” next to it is also elegant.

Part Fourteen! Click for larger, see text for details.

Walthari von Harz’s device, leftmost middle row, might get put back in the “to be redrawn” pile, even this late in the game, as I’m still not happy with how the per pale wavy line interacts with the points and edges of the chevronelly elements. There’s another emblazon I found online (but now can’t rediscover to show here!) with a much more elegant version that I’d like to try and replicate.